Monthly Archives: April 2014

Plate 21 from Wilson

In this section of the Bayeux tapestry, the Norman forces, William the Conqueror, Harold Godwinson and Rivallon of Dol-Combourgh attack the Dol de Bretagne.  Duke Conan II of Brittany escaped the Normans using a rope and climbing out a window.  The main focus of this section of the tapestry depicts Duke Conan escaping through a window and the Normans pursuing Duke Conan past the capital of Brittany, Rennes.

The Bayeux tapestry is one of the first appearances of a coat of arms. On several of the shields of the soldiers is featured a cross.  The Bayeux tapestry was created in the 11th century. Coats of arms didn’t come into vogue until the 12th century. Characters typical of coats of arms appear in both the top and the bottom boarders of this section of the Bayeux tapestry. A coat of arms has much symbolism, everything from the colors used to the animals represented. The presence of elements of different coats of arms can symbolize the dominance or inferiority of one side or the other.

In the border of this section of the Bayeux tapestry is the depiction of a the characters in the coat of arms of each side of the battle.  On the top is the depiction of the the lion from the duchy of Norman’s coat of arms and the fleur-de-lis (lily flower in French) from the duchy of Brittany’s coat of arms.  On the bottom border is the duchy of Brittany’s fleur-de-lis and the griffin from the coat of arms of the kingdom of England.

Color is an important element in art, especially a piece of art like the Bayeux tapestry that depicts historically important events.  The fleur-de-lis, griffins and lions all appear in black, red and yellow. Through the ages, colors have often taken on different meanings, however certain themes about color have remained constant. Black often represents power, red stands for strength and yellow for energy.

That there is far color in the fleur-de-lis would insinuate that the artist that created the Bayeux tapestry thought that while Conan had power, strength and energy, he did not have as much as William the Conquer, Harold and Rivallion.

It should be noted that the figures represented in the borders of the Bayeux tapestry are not equal in size. The fleur-de-lis are much smaller than the griffins and the lions. This difference in size would insinuate that the artist saw an incongruence of power between Brittany and the Normans and England.

Works Cited:

Wilson, David M. The Bayeux Tapestry. New York: Thames & Hudson Inc., 2004. Print.

“Brothers in Arms- scene 2”. Britain’s Bayeux Tapestry at the Museum of Reading. 31 March 2014. Web. http://www.bayeuxtapestry.org.uk/bayeux9.htm

“Breton-Norman War” Wikipedia. 31 March 2014. Web. http://en.wikipedia.org/wiki/Breton-Norman_War

“Heraldry Symbols and their Meanings”. familytreeandcrest.com. 31 March 2014. Web. http://www.familytreesandcrests.com/heraldry-symbols.htm

Plate 67 from Wilson, Bishop Odo Encouraging his troops at the Battle of Hastings

The section I received was part of the Battle of Hastings. Before I go into what my panel is about, here’s a little background on the Battle of Hastings and why it was taking place. William, the Duke of Normandy, was fighting King Harold of England (Hicks 3). This fight between them was called the Battle of Hastings. My panel takes place right after the Norman troops thought that William was slayed. The man on the horse with the club in the air was William’s younger half-brother, Odo, who was a Bishop. He has his club in the air and was trying to encourage the Norman troops to press forward; they didn’t want to go on because they thought William was dead. The Latin above this scene reads “Hic Odo Eps (Episcopus) Baculu(m) Tenens Confortat Pueros”, –  which translates to “Here Odo the Bishop holding a club strengthens the boys,” (Wikipedia Contributors).

Detailed Plate 67 from Wilson, Bishop Odo and his baculum

It is important for history’s sake to know that Odo was a Bishop, and that he was holding a club. As a man of the church, he was not meant to have a blood-shedding weapon, such as a sword. However, he gets around this by brandishing a “baton of command” called a baculum (Wilson 194). It is noticed that all of the other warriors and soldiers are holding swords and long spears, but since he was a man of God and held a church calling, he was holding a club. It is also noticed that he is not wearing any sort of body armor in this scene, just a helmet. This gives more evidence to show that since he was a Bishop, he was not supposed to be engaged in any sort of fighting activity. The border below the middle scene is filled with dead and dismembered corpses, broken weapons, and even a dead horse. Showing the fallen soldiers of the war (Wilson 193).

This panel gives a lot of historical evidence. It shows what the soldiers may have looked like when in battle, and also gives a good representation of what the Bishop and other religious leaders would have looked like (no armor, just a helmet), and why.

References:

Hicks, Carola. The Bayeux Tapestry: The Life Story of a Masterpiece. London: Random House, 2006. Print.

Wikipedia contributors. “Odo, Earl of Kent.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 19 Mar. 2014. Web. 27 Mar. 2014.

Wilson, David M. The Bayeux Tapestry. New York: Thames & Hudson Inc., 2004. Print.